The Musicians:


Twenty years ago, Douglas Myers formed The New Baroque Soloists to showcase the beautiful works of composers such as Bach, Telemann and Handel written for mixed groups with trumpet, oboe, horn, flute and voice, as well as strings. 


The New Baroque Soloists perform large scale Chamber Music, the usual size being eight performers.  The instrumentation is flexible, depending on concert selections, and the group performs with as few as five performers and as many as fifteen.  Accordingly, a program typically includes duets, trios, quartets, etc., up to and including the full ensemble. The works are performed on the best sounding instruments available, including the unique  ”corno da caccia,” or piccolo French horn.  The group adheres strictly to the most informed and historically correct performance practices of the Baroque era.


The members of The New Baroque Soloists are gifted artists, and soloists in their own right, as the group name implies.  Drawn from New York City and Boston, and as far away as The United Kingdom, they also perform with groups such as Orpheus, the Orchestra of St. Luke’s, Lincoln Center Chamber Music Society, the Boston Pops, the Boston Symphony Orchestra, the New York Philharmonic and the Metropolitan Opera Orchestra.  They have served as concertmasters and solo wind players in orchestras in the United States, Europe and Asia.



Performers for the fourth concert:, August 12, 2021

Flanagan,Terence , keyboard continuo, is one of the country’s leading organists. Heserved as Organist and Assistant Choirmaster at Fifth Avenue Presbyterian Church forover 18 years, working with Dr. Richard Westenburg. He studied organ with Dr. JohnWeaver at the Curtis Institute of Music and at the Juilliard School. Terry is currently theMusic and Children’s Choir Director at the Presbyterian Church in Mount Kisco.


Garcia, Andrew, trumpet and horn Staff Sergeant Andrew Garcia has been with the West Point Band as principal trumpet since 2010. He has played in over a dozen countries and in many differing capacities, including serving as the principal trumpet of the Nice Festival Orchestra in Nice, France, and performing as a featured soloist in the Royal Albert Hall in London. He has also played in various ensembles in the New York area, including the New York City Ballet, the New York Staff Band of the Salvation Army, and the New York Philharmonic. In 2005, he founded the Manhattan Citadel Music School in Harlem, which provides a free, comprehensive musical education to twenty-five children from around the community.

Hardy, Amanda, Oboe, joined the Portland (Maine) Symphony Orchestra as principal oboe in November 2013 where she occupies the Clinton Graffam Chair. As a recipient of the the Gillet Scholarship and Tourjée Alumni Scholarship Award, Amanda studied with BSO principal oboist John Ferrillo at the New England Conservatory (NEC).  Amanda was winner of the 2010 Borromeo String Quartet Guest Artist Award Competition and also has appeared as soloist with the Boston Pops in Symphony Hall (2009), the NEC Bach Ensemble, the Drake Symphony Orchestra, and the Des Moines Youth Symphony at age sixteen. In 2006, she won the grand prize for Iowa’s Bill Riley Talent Search, giving her state-wide televised recognition. Recently, Amanda has been guest principal oboe with the Boston Pops, Boston Philharmonic, A Far Cry Chamber Orchestra, Emmanuel Music, and the Des Moines Symphony, and frequently plays with the Boston Symphony, the Boston Pops, and the Boston Pops Esplanade Orchestra.  She is on the faculty of New England Conservatory Preparatory School, teaches at Northeastern University, and has several years of private teaching experience on both oboe and piano.  Amanda holds a Bachelor of Music in oboe with a piano minor from Drake University and a Master of Music and Graduate Diploma from NEC. Previous festivals include the Masterworks Festival, the Aspen Music Festival and School, and Tanglewood Music Center in 2010 and 2011 where she was awarded the Mickey L. Hooten Memorial Award both summers. 


Myers, Doug, trumpet and horn, is the Artistic Director of The New Baroque Soloists.  He has been solo trumpet in orchestras in the US, Europe, and Asia turning his attention to a career as soloist and chamber musician.  Doug arranges many of the Baroque selections the Soloists play for the smaller ensemble or for instruments available to him in the same vocal ranges as the original pieces.

He plays the piccolo trumpet and the modern Corno da caccia, or piccolo French horn.

Naito-Gotay, Yuko, violin, is one of NY’s most sought after violinists, performing internationally as a soloist and chamber musician. After graduating from the prestigious Curtis Institute of Music, Philadelphia, she earned advanced degrees from Yale University and the Manhattan School of Music, before joining the St. Louis Symphony Orchestra. Critics have unanimously praised her splendid talent with phrases, such as; “... a musician of great taste...,” “... possesses a true feeling for the art...,” “... in full communication with the Muses.”

Shuman, Mark  was born in 1988 in Dormagen near Cologne to Romanian- Japanese parents. He was given his first cello lessons when he was four years old. His teachers were for example Heinrich Schiff and Hans-Christian Schweiker. He is currently taught by Frans Helmerson at the Hochschule für Musik in Cologne.

To improve his artistic expression MARK SCHUMANN has taken part in masterclasses given by David Geringas, Gary Hofman, Bernard Greenhouse and Steven Isserlis and in 2008 with Maestro Seiji Ozawa at the International Music Academy Switzerland. Numerous competition successes testify to the young musician’s ability. For example, he won first prize in 2000 at the International Junior Cello Competition in Liezen, Austria. He was also awarded first prize at the Gen Re and WDR music competition in 2006 and at the competition arranged by the Hochschule für Musik in Cologne in 2008.

MARK SCHUMANN, who gave his debut performance as a soloist with the A minor cello concerto by Saint-Saens when he was 11 year old, has already played with a number of well-known orchestras such as the Warsaw Symphony Orchestra, the Brandenburg State Orchestra, the Yomiuri Japan Symphonie Orchestra and the Slovak Philharmonic Orchestra and has performed in the Tonhalle in Düsseldorf, the Philharmonie in Cologne and Suntory Hall in Tokyo. In 2010, MARK SCHUMANN took part in chamber music course at the “Chamber Music Connects the World” in Kronberg, where he played with Gidon Kremer and Yuri Bashmet together.

In June 2010 he performed with Christoph Eschenbach and Tzimon Barto at the “Klavier- Festival Ruhr”. In the same year he was awarded the “European Culture Award”. 2011 he completed a Germany tour with the “Klassische Philharmonie Bonn” under the direction of Heribert Beissel. Besides his solo performances he is – together with his siblings – a member of the “Schumann Quartett”, which is cared by the Alban Berg Quartet and Professor Harald Schoneweg (Cherubini Quartet). MARK SCHUMANN holds a scholarship of the German Music Foundation and the “Studienstiftung des Deutschen Volkes” and plays a cello of “Carlo Giuseppe Testore” (1710).

Wei Tan , Violinist Wei Tan holds Bachelor and Master of Music degrees from the Manhattan School of Music, where she studied under the tutelage of Stanley Bednar. She has also studied with Joey Corpus, as well as Weigang Li of the Shanghai String Quartet. As a soloist and chamber musician, Ms. Tan has performed regularly in the United States, China, Norway, Iceland, and Austria. She made her New York debut at Weill Recital Hall at Carnegie Hall in 2002.


Born into a family of musicians in Shanghai, Ms. Tan began her violin studies at the age of three. At age thirteen, she made her public debut in a live concert performing Lalo Symphonie Espagnole as soloist on the Shanghai Radio Station.  For more than a decade, Ms. Tan has earned numerous awards, beginning as a grant recipient of the Music for the World Foundation and the Blue Ridge Foundation, and continuing as a winner of the Lillian Fuchs Chamber Music Competition and as a Special Award winner of the 2001-2002 Artists International Presentation Series.


Ms. Tan's solo and chamber music performances have been broadcast on WQXR, the Hong Kong Radio Station, and the Shanghai Classical Music Television network. Currently, she is on the faculty of the Westport School of Music in Connecticut.


As the co-founder of the New York International Artists Association, Ms. Tan serves as the Artistic Director of the organization.


Past performers:

Holland, John Originally from Atlanta, Georgia, violinist John Holland has performed extensively as a soloist and with numerous orchestral and chamber ensembles in Boston and abroad. Since January 2002, Mr. Holland has been performing regularly with the Boston Symphony Orchestra. Mr. Holland’s orchestral engagements also include regular performances with the Boston Pops, the Rhode Island Philharmonic, the Chamber Orchestra of Boston, and the Isabella Stewart Gardner Museum Chamber Orchestra. As a chamber musician, Mr. Holland has performed as a guest artist with the Chamber Music Foundation of New England, the Radius Ensemble, the Tanglewood Fromm Players, the Callithumpian Consort, the South Coast Chamber Music Society, and with members of the Boston Symphony Orchestra. Mr. Holland has also had the opportunity to work with such prominent contemporary composers as John Harbison, George Perle, Elliott Carter, and John Corigliano. An active teacher in the Boston area, Mr. Holland has a private studio and coaches chamber music and orchestral ensembles for both the Boston Youth Symphony Orchestras and the New England Conservatory Preparatory School.

Meineke, Donald R, keyboards, serves as Cantor of the Evangelical Lutheran Church of the Holy Trinity in NYC,

home of Bach Vespers and the twice Grammy nominated Holy Trinity Bach Choir and Players.  Donald maintains an active career as recitalist, conductor, singer, lecturer, and clinician on both the national and international scenes.  He is the co-founder of Ensemble VIII, a professional early music ensemble in Austin, Texas and was co-founder and director of the 2014 Early Music Festival: New York.

Robbins, Sandra, viola Ms. Robbins is a member of the American Composers Orchestra, the Westchester Philharmonic, and freelances in NYC. She graduated from the Manhattan School of Music after studying the viola in both the preparatory and college divisions of Lilian Fuchs. Ms. Robbins has taught viola and chamber music at Cornell, SUNY Geneseo, and Syracuse University. She has recorded for Newport Classics, Elan, New World Records, and Artek Recordings.

Rounds, William,USM faculty cellist William Rounds is a member of the Boston Pops Esplanade Orchestra and the Portland Symphony Orchestra.  He plays frequently as an extra with the Boston Symphony and performs with the Orlando Chamber Soloists. Originally from Rapid City, SD, he received his Bachelor's and Master's degrees at Boston University while studying with reknowned cellist George Neikrug.   A former member of the Artaria Quartet, Mr. Rounds has performed throughout the United States as well as in Europe and Asia, appearing as a soloist with orchestra, in recital and as a chamber musician.  In addition to his classical career, he previously toured with John Denver, recorded for Aerosmith and has performed or recorded with a wide variety of popular artists ranging from David Bryne to Jerry Vale.  He has also played for the soundtracks of numerous movies including Schindler's List.  Mr. Rounds is an experienced teacher and clinician, working with children through the Boston Symphony's education programs and giving master-classes at colleges throughout the US.

Seeber, Todd Todd Seeber joined the Boston Symphony Orchestra's double bass section in May 1988. From January 1986 until he joined the BSO, he was principal bass of the Buffalo Philharmonic, which he joined when he was twenty and with which he appeared frequently as a soloist. Before joining the Buffalo Philharmonic, he was assistant principal bass of the Boston Pops Esplanade Orchestra and of the Handel and Haydn Society Orchestra. Born in Spokane, Washington, Mr. Seeber grew up in Canada, Hawaii, and Australia. He began playing the double bass at age eleven with George Wellington and attended high school in Portland, Oregon, where he studied with Herman Jobelmann. A Fellow of the Tanglewood Music Center in 1983 and 1984, he won first prize in the American String Teachers National Solo Competition in 1983 and was a 1984 winner of the Boston University Concerto-Aria Competition. In May 1985 he graduated from Boston University, where he studied with Henry Portnoi. Mr. Seeber currently teaches at the New England Conservatory of Music, at Boston University's School for the Arts, at the Tanglewood Music Center, and at the Boston University Tanglewood Institute.

Pitchon, Joel, violin, is a soloist, chamber music player and Professor of violin and chamber music at Smith College.  Mr. Pitchon has served as the concertmaster for numerous orchestras: the Orquestra de Barcelona, the NY Virtuosi Chamber Orchestra and EOS Chamber, to name a few. The NY Times noted his playing in the EOS production of Stravinsky's L'Histoire du Soldat as "superb."

Ferrillo, John John Ferrillo joined the Boston Symphony Orchestra as principal oboe at the start of the 2001 Tanglewood season, occupying the Mildred B. Remis Principal Oboe Chair, having appeared with the orchestra several times in previous seasons as a guest performer. From 1986 to 2001 he was principal oboe of the Metropolitan Opera Orchestra. Mr. Ferrillo grew up in Bedford, Massachusetts, and played in the Greater Boston Youth Symphony Orchestra. He is a graduate of the Curtis Institute, where he studied with John de Lancie and received his diploma and artist’s certificate. He also studied with John Mack at the Blossom Festival and has participated in the Marlboro, Craftsbury, and Monadnock festivals. Prior to his appointment at the Metropolitan Opera, Mr. Ferrillo was second oboe of the San Francisco Symphony, and was a faculty member at Illinois State University and West Virginia State University. A former faculty member of the Mannes School of Music and Juilliard School of Music in New York City, he has taught and performed at the Aspen and Waterloo festivals and currently serves on the faculties of the New England Conservatory, Boston University, and the Boston University Tanglewood Institute. His previous BSO appearances as soloist have included Ligeti’s Double Concerto for flute and oboe, with BSO colleague Elizabeth Rowe, which they will perform again on the final subscription concerts of the current season; Frank Martin’s Concerto for Seven Winds, Timpani, Percussion, and Strings, also with BSO colleagues; Richard Strauss’s Oboe Concerto; two collaborations with violinist Pinchas Zukerman at Tanglewood in music of J.S. Bach; Wayne Barlow’s The Winter’s Past, led by Leonard Slatkin in a 2014 Tanglewood program celebrating the conductor’s 70th birthday; Mozart’s Sinfonia concertante in E-flat for oboe, clarinet, horn, and bassoon, K.297b, with BSO colleagues on the opening program of the 2014-15 season; and, most recently, in May 2018, Marcello’s Concerto in C minor for oboe and strings with Moritz Gnann conducting. As principal oboe of the BSO, Mr. Ferrillo is also a faculty member at the Tanglewood Music Center and a member of the Boston Symphony Chamber Players, with whom he can be heard in BSO Classics recordings of Mozart’s Quartet in F for oboe and strings, K.370; William Bolcom’s Serenata Notturna for oboe and strings, and Dutilleux’s Les Citations for oboe, harpsichord, double bass, and percussion. 

Heiss , David, David Heiss enjoys a multi-faceted performance career as a soloist, chamber musician, and recording artist. He is a member of the Metropolitan Opera Orchestra and principal cellist of The New York Pops at Carnegie Hall as well as a sought-after guest principal for many New York City area ensembles. As a result of winning the Artists International Competition and being presented in his Carnegie Recital Hall debut, he has appeared as concerto soloist and recitalist in a wide range of repertory including the American premieres of concertos by Irving Robbin and Theodore Antoniou, and the world premiere of the Robert Manno Cello Sonata, which was dedicated to him. He is a founding member of the OMNI Piano Quartet and is a frequent guest artist and teacher at music festivals throughout the eastern United States. He was involved in the conception and development of the Broadway production of The Elephant Man as composer and arranger of incidental music for the Tony Award-winning play, and performed on Broadway and throughout the United States as the on-stage cellist in the drama

Ross, James, trumpet, joined the Metropolitan Orchestra in 1994. Previously, he was Principal Trumpet of the Vancouver Opera Orchestra and a frequent performer with the Vancouver Symphony and the CBC Radio Orchestra. His freelance activities have included performances as Principal Trumpet at Tanglewood with the Orchestra of St. Luke’s, and concerts with the Orpheus Chamber Orchestra. Mr. Ross attended the University of British Columbia, St. Louis Conservatory, and the Cleveland Institute of Music. Executive Administrative and Musical Assistant to Doug Meyers: Peter Del Monaco Doug Myers may be contacted at:

O’Connell, Pablo, oboe, is currently pursuing his Bachelor’s Degree at the Juilliard School as a student of Nathan Hughes, with additional instruction from Elaine Douvas and Scott Hostetler. Last summer, he performed the Vivaldi D minor Oboe Concerto at the Kennedy Center in Washington, DC, as a winner of the National Symphony Orchestra Summer Music Insti-tute Concerto Competitions. On March 10th, 2016, Pablo had the honor of performing the Mozart Oboe Quartet for President Obama and Canadian Prime Minister Justin Trudeau at the White House State Dinner in honor of Canada. He is a graduate of the Juilliard Precollege, a student of Richard Dallessio.

Adams, Sarah, has appeared as soloist with the Riverside and Jupiter Symphonies in Alice Tully Hall, the Orchestra of St. Luke’s at Caramoor, the Berkshire Bach Ensemble, among others. Ms. Adams is the violist of the Tahoe Quartet, the NY Chamber Ensemble and the Sherman Ensemble. She is Principal Violist of the Riverside Symphony, a member of the American Ballet Theatre and the NYC Opera Orchestras and performs frequently with the Orpheus Chamber Orchestra. Ms. Adams has been Music Associate at Columbia University since 1993, teaching viola and chamber music. Sara performs on a Hiroshi Iizuka viola, circa 1982.


Behrens, Andrew, double bass, is a native of Huntington, N.Y. He has performed with the NY String Orchestra at Carnegie Hall, Aspen Music Festival, and the AIMS Festival Orchestra in Graz, Austria. His principal teachers include Timothy Cobb of the NY Philharmonic and Leigh Mesh of the Metropolitan Opera Orchestra. He holds degrees from the SUNY Purchase Conservatory of Music and Bard College.


Burkhart, Robert P., cellist, with performance credits at Alice Tully Hall, Bargemusic, Carnegie Weill Recital Hall, Merkin Hall, and the Rose Studio at Chamber Music Society of Lincoln Center, Robert has also appeared as a soloist throughout Japan as a member of the New York Symphonic Ensemble, and been featured in recital on WQXR’s “Young Artist Showcase.” Hailed as “the adventurous cellist” by The New Yorker Magazine, Robert P. Burkhart performs all across New York City’s diverse musical landscape, in more than 30 states across the country, and internationally. Robert’s major teachers include Paul Tobias at the Mannes College of Music and Uri Vardi at University of Wisconsin-Madison. Robert has taught at Juilliard Pre-College, Mannes Prep, Syracuse University, and Music Conservatory of Westchester, and been artist-in-residence at Yale University and the Banff Centre for the Arts in Canada.

 Gal-Ed, Roni, oboe, has been described as "Outstanding" and "...the star of the evening" by The New York Times. She is a first prize winner at the International Lauschmann Oboe Competitiion in Mannheim, Germany, and a recipient  of scholarships from the America-Israel Cultural Foundation and the Munich Philharmonic Orchestra. Ms.Gal-Ed has worked with Zubin Mehta, Kent Naganno and collaborated with Daniel Barenboim and the Jerusalem String Quartet, among many others. Since movinng to New York in 2009, Ms.Gal-Ed has continued to be an active Oboist who Plays with the Orpheus Chamber Orchestra and the American Ballet Theatre Orchestra. In 2018 she performed the U.S. premier of Matthew Greenbaum's oboe Concerto, "the jig is up" at Lincoln Center. Ms. Gal-Ed has studied at the Royal Conservatory in Brussels and graduated with a Master's degree from the Musik Hochschule in Munich.

Magill, Sam, violoncello, was educated at the Peabody Conservatory and was a student of Zara Nelsova.  Currently he is a member of The Metropolitan Opera Orchestra and was previously a member of the Pittsburgh and Houston Symphony Orchestras.

Copeland, Lillian, oboe, recently relocated to New York City after playing many seasons as Principal Oboe with the Santiago Philharmonic Orchestra in Chile. Aside from the diverse repertoire of opera, ballet and orchestral programs, Lillian was active in chamber music with the Ensamble Filarmonico. Since being in the NY area, Lillian has been playing with the Metropolitan Opera Orchestra and NJ Symphony Orchestra, among others. She has a private oboe studio.

Del Monaco, Peter, trumpet, is a recent graduate of the Hartt School of Music, Dance, and Theater with a Bachelor of Music in Music Education and Trumpet Performance.  Peter was the recipient of the Mark Lord Trumpet Award for excellence on trumpet and leadership in the studio.  He has studied with Jay Lichtmann and Kevin Cobb at the Hartt School and with Doug Myers for seven years before college.  Peter is the Executive Administrative Assistant to Doug Myers, Artistic Director of The New Baroque Soloists.

Lionti, Vincent, viola, has been a member of The Metropolitan Opera Orchestra since 1987.  Prior to that, he was a member of the Detroit Symphony.  While studying at Juilliard, Vinnie was Principal Viola in their three orchestras and studied chamber music with members of The Juilliard String Quartet. He is on the Board of Directors of the International Percy Grainger Society and the conductor of the Westchester County Youth Orchestra and the Downtown Sinfonietta of White Plains, NY.  

Ratzenboeck, Derek, violin, Has been a member of The NYC Ballet Orchestra Violin section since 2011. He has tored and performed with the Cincinnati Symphony, Vienna Mozart  Philharmonic and  Schleswig-Holstein Festival Orchestra. Derek received his training at Indiana University Jacob's School of Music (BM), Vienna and Amsterdam Conservatories and the University for Music and Theater in Munic, Germany (MM)                         

Rhian, Glenn, timpani, received his Batchelor's degree from The San Francisco  Conservatory  of Music and his Master's degree from The Julliard School of Music. He is  a timpanist for the Greenwich Symphony Orchestra. He has performed with the  San Fransisco Opera Orchestra, NYC Opers Orchestra and American Symphoy. Glenn has been the drummer/percussionist for several Off-Broadway and Broadway shows.

Ross, James, trumpet, Joined the Metropolitan Opera Orchestra in 1994.  Previously he was the Principal  Trumpet of the Vancouver Opera Orchestra. His freelanceactivities have inclouded performances as Pricipal Trumpet at Tanglewood with the Orchestra of St. Luke's. He was a member of the NY Philharmonic. Mr Ross attended the University of British Columbia, St. Louis Conseratory and the Cleveland Institute of Music.

Doug Myers may be contacted at:

NMA is a tax-exempt 501(c)3 organization